Bonnard et le Japon. Proche et Moyen Orient The author illustrates his point

The author illustrates his point with an exceptional selection of copies chosen from the finest public and private collections

his works from the 1910s and 1920s were partly destroyed by the Nazi regime

Cuba is undoubtedly one of the three great cultural centers of Spanish-speaking America

Hannes Vogel

This mosaic defines a flâneur particularly attracted to the banks of the Seine and the Paris of the margins

Bonnard et le Japon. Proche et Moyen Orient The author illustrates his pointPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a