Maroc, une identité moderne. Numismatique How Caesar falsified the historical

How Caesar falsified the historical facts of the Gallic Wars to turn them into his own glorification

which serve as a manifesto and artistic theory

the different aspects of medieval urban life

Ses tableaux noirs ont été exposés dans les plus grands musées du monde

installées jusqu'en Corée

Maroc, une identité moderne. Numismatique How Caesar falsified the historicalIn the aftermath of Moroccan independence, as artistic avant gardes emerged in non aligned countries, in reaction to Westernized education, the artists of the Casablanca Group Farid Belkahia (1934 2014), Mohamed Chaba (1935 2013) and Mohamed Melehi (born in 1936) sought the source of a new modernity in the crossbreeding with the vernacular production of their country. In a moment of symbiosis between individual creation, interventions in public space