Où est passé le passé. Traces, archives, images. Rome a refusé d’être identifié au

a refusé d’être identifié au sexe qui lui a été assigné à la naissance

A people practicing a cruel religion with a god demanding the immolation of children

The catastrophe appears as a way of giving meaning to the extraordinary

Continuity and Disruptions in the History of Heritage Conservation

represents an extraordinary potential for approaching territories and temporalities differently

Où est passé le passé. Traces, archives, images. Rome a refusé d’être identifié auFor them, it is about beginning an exploration of this strange and fascinating world that is that of memory. Memory has a lot to do with history, naturally, but also, more profoundly, with writing and art in general. Barely experienced, every event sinks into the depths of the unknown past, on which float for a moment small fragments of memory. Yet an imprint remains, somewhere: a testimony, a recording of some kind, traces vestiges in short, which