HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 sculture color lithography became the language

color lithography became the language in which his vision found its most complete form

making it impossible to realize this dream

a multifaceted figure of the Parisian avant-gardes

an optical improbability that reveals Hokusai's interest in the imaginative possibilities of mirroring on water

The search for materials in nature takes place slowly

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 sculture color lithography became the languageStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New