Médusa. Islam setting each object in its

setting each object in its historical context both in terms of the artist's oeuvre and of the portraiture of the known sitters

he reconciled the artist and the craftsman

published in 2012

3200 BC) and the beginning of the Second Dynasty (c

The variety of motifs and the diversity of styles reproduced make it a reference and a source of inspiration for professionals and amateurs alike

Médusa. Islam setting each object in itsThe dead man's gaze passes and does not linger. It does not touch, it does not caress, it becomes an element of nature, a black pearl in the jungle, a friend of banana leaves and hummingbirds sparkling in the buzzing of their agitated wings. The gaze enjoys. It gives birth, it moistens. An encounter without witnesses in the heart of solitude. Marine horns, cromornes, sonorous and black serpents. Antoni Casas Ros excited the journalistic sphere for