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but rather to evoke an exotic and faraway place
with full margins
the setting could be identified with Tsukudajima
he left his studies in law and the textile industry to dedicate himself to painting in 1960
“to circle around the sacred basin
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 81, 1836-1847 sculture but rather to evoke anBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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