Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie dans les intérieurs modernes

dans les intérieurs modernes

Jasper Johns

Colors are not insignificant

historians

Chapters on the life

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie dans les intérieurs modernesFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first