Rien à voir. Quand la création échappe au symptôme. La collection Sainte-Anne. Beaux-arts measures their relationship to sociability

measures their relationship to sociability

à une époque d’exploration avant-gardiste intense et de bouleversement des mœurs – notamment en ce qui concerne l’émancipation des femmes

thus paving the way for the great currents of the 20th century: surrealism

dans la ligne des préoccupations nées à la Renaissance avec Alberti

a lesson in ethics and history addressed by a king to one of his peers

Rien à voir. Quand la création échappe au symptôme. La collection Sainte-Anne. Beaux-arts measures their relationship to sociabilityAs soon as a real interest is shown in works created by people who have encountered, at some point in their lives, psychological or psychiatric problems, questions emerge, conceptual confusions multiply, and beliefs are affirmed. In the 1950s and especially the 1960s, psychiatrists believed that the works created by their patients could only be a reflection of their pathology. Through the work of thirteen artists from the Sainte Anne Collection, this