Les mille visages de l'honneur: Actes des IIIe rencontres autour de la sculpture romaine. Pratique The abundant bibliography may give

The abundant bibliography may give the impression that everything has been said about this reputedly well-known text

Olivier Debré (1920-1999) embodies both the image of a painter with an international career and that of an artist whose native land nourishes his creativity: the Loire and its landscapes are fundamental to his perception of space and permeate his work

Ugo La Pietra) to the "reappropriation" of objects (Enzo Mari

and that it has been for many

accompanied by Boris Cyrulnik

Les mille visages de l'honneur: Actes des IIIe rencontres autour de la sculpture romaine. Pratique The abundant bibliography may giveTrue to the spirit of the Rencontres, the twenty five articles in this volume contribute to our knowledge of sculpture between the late Hellenistic period and the imperial period across a very wide area from Asia Minor to Spain and from North Africa to Gaul. Sixteen contributions explore different aspects of honorary statuary, a genre closely linked to the political functioning of the Empire and its constituent communities. In the second part of the