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The pages also portray human vulnerability: houses destroyed by natural disasters
Gabrielle Marceca and Jon Merced
tramé par l’industrie et le management
This issue takes a broader perspective
- Chez Peter Doherty
It's Funny How I Met This Horse - Kateryna Lymar set margins The pages also portray humanIts Funny How I Met This Horse contains photographs taken by Kateryna Lymar from the imaginative point of view of a newly hatched insect, just emerging from the ground and taking its first walk. The work explores perception at its most fragile and imaginative state. Underexposure, overexposure, blur, and extreme close ups test the limits of the camera uncovering a newly found intimacy with the natural world. Guided by a pair of eyes emerging from the
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